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Abend
Di Anni Nouveau
A Play in Five Acts |
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Publishing/Performance
History
- New York Morning Telegraph. 30 DEC 28: 1.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons, 1934. 363-366.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
746-748.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 618-620.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
153-155.
Characters/Cast (Listed)
ST. JOHN ERVINE, an immigrant.
WALTER WINCHELL, a nun.
HEYWOOD BROUN, an usher at Roxy's.
DOROTHY THOMPSON, a tackle.
THEODORE DREISER, a former Follies girl.
H.L. MENCKEN, a kleagle in the Moose.
MABEL WILLEBRANDT, secretary of the League of
American Wheelman.
BEN HECHT, a taxi starter.
JOHN ROACH STRATON, a tap dancer.
CARL LAEMMLE, toys and games, sporting goods, outing
flannels.
ANNE NICHOLS, a six-day bicyclist.
Characters/Cast (Actual)
(ACT I)
All of the listed cast (dead).
WAITER.
FIRST POLICEMAN.
SECOND POLICEMAN.
(ACT 2)
THREE MEN NAMED LOUIE BREESE.
LOUIE BREESE'S INTERNE.
EAST SIDE GANGSTER.
(ACTS 3,4, 5)
FIRST SNAIL-GUNDER.
SECOND SNAIL-GUNDER.
A NEWSBOY.
FIRST PRODUCER.
SECOND PRODUCER.
Scenes
ACT I: A hired hall, 8:35 PM on New Year's Eve. All the guests (cast) are
dead, "their bodies riddled with bullets and frightfully garbled."
ACT II: The interior of an ambulance. The men are playing bridge.
ACTS III, IV, V: A one-way street in Jeopardy.
Summary
ACT I: A WAITER finds all the cast dead at a party. The
curtain "is lowered and partially destroyed to denote the passage of four days."
Then the WAITER and the POLICEMEN have a conversation about
the "havoc," the worst part of which is that the play will have to be
recast. By the end of the short conversation, all forget what they were talking
about.
ACT II: THREE MEN NAMED LOUIE
BREESE and his interne are playing bridge inside an
ambulance. The LOUIE BREESES throw the INTERNE
out of the ambulance for being confused. A GANGSTER who was formerly
being used as the bridge table gets up and is asked to be "a fourt'" in their
game. "There's no snow," he replies.
ACTS III, IV, V: Two SNAIL-GUNDERS ride a
tricycle onto the stage and one of them speaks briefly to A NEWSBOY.
The three giggle and leave the stage. TWO BROADWAY PRODUCERS,
nearly nude, enter on pelicans. They exchange subtle insults.
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All at Sea
Musical Play in Two Acts |
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Publishing/Performance History
- Book by George Abbott, Joseph Santley and Ring Lardner.
Lyrics by Ring Lardner. Music by Paul Lannin. Unproduced play, 1928. Ring Lardner Papers.
Newberry Library, Chicago.
Characters/Cast
MARTIN KILGOUR, a wealthy, retired manufacturer of
horse medicine from Michigan; about 55; small character comedy part, type of George Nash;
would prefer to spend his declining years with his cronies at home.
MRS. KILGOUR, his wife, about 50, something of a
climber, a Mrs. Malaprop, an Edna May Oliver type.
ANN KILGOUR, their daughter, young, flirtatious, giddy.
BOB ARNOLD, a young New York reporter, has come from
Michigan (Paw Paw) know the Kilgours all his life and is in love with Ann. Type of
Clarence Nordstrom. (Bob and Ann must be good dancers, preferably hot).
ALLAN GRIER, juvenile lead, must sing well and should
have a sense of humor.
CAROLINE GARRETT, leading girl, should sing well, be
pretty and have a sense of humor.
LEFTY RIVERS, low comedy lead, a Chicago gunman, but not
rough; more the type of Victor Moore, Jimmy Savo, Ernest Truex--does not have to sing.
Harry Watson could play this part. Charley Butterworth could play it.
LOUIE BERG, a New York racketeer and night club owner;
small part. Typical.
LOLA LOWE, typical motion picture actress from
Hollywood.
TONY, assistant purser.
MIKE BRADY, Chicago racketeer, bit.
JIM, doorman at Wildcat Club, bit.
COMBS, a mysterious tourist.
THE THREE GIRLS, like the Brox Sisters.
BODYGUARDS, policemen, reporters, photographers, stewards, natives of
all the countries visited, sailors, guides, deckhands, taxi drivers, peddlers, beggars.
PLOT: The ganster Louie Berg is wanted for murder. A young millionaire,
Allan Grier, is suffering from amnesia and is mistaken for Berg. All works out in
the end.
I feel just like poor Hamo-let
Who said, "To be or not to?"
To kill oneself is wrong, and yet
I b'lieve I've almost got to.
The girl I love is so unkind!
When I am gone, she'll rue it.
So I will die if I can find
A pleasant way to do it.
Refrain:
But cyanide, it gripes inside;
Bichloride blights the liver;
And I am told one catches cold
When one jumps in the river.
To cut my throat would stain my coat
Andf make my valet furious.
Death beckons me, but it must be
A death that ain't injurious.
2nd refrain:
A shot would make my eardrums ache
And wake my niece, who's teething;
A rope would wreck my classic neck
And interfere with breathing;
I can't take gas because, alas,
The odor's unendurable.
O Lord above, please tell me of
A death that ain't incurable.
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Beautiful Katie
formerly titled Going South |
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Publishing/Performance History
- Lardner, Ring and Gene Buck. . Unproduced play. Ring
Lardner Papers. Newberry Library, Chicago.
Characters/Cast
(ACT I)
JACK WHEELER.
BESSIE WHEELER, his wife.
KATE RICE, Bessie's sister.
THE WHEELERS' GUESTS:
FRANK ADAMS
MINNIE ADAMS
TOM LOGAN
EDITH LOGAN
JIM PRESTON
MAY PRESTON
JIM BROWNING
GRACE BROWNING
LOUIE HATCH
LAURA HATCH
WILLARD HOLD, a friend of the Hatches'
(ACTS II, III)
THE WHEELERS.
KATE RICE.
WILLARD HOLT
WALTER TRUMBULL, a wealthy young New Yorker.
CARL SAWYER, a Californian.
HARRY HAMMOND.
MRS. PAUL POTTER OF CHICAGO.
PAUL POTTER II, her son.
ED FISHER, proprietor of the Florida Club.
WATCHER, Wheelmen, Gamblers and Society People in the Florida Club.
SOCIETY PEOPLE, Headwaiter and Waiters in the Cocanut
Grove.
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The Bull Pen |
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Publishing/Performance History
- The Ziegfeld Follies of 1922. New Amsterdam Theatre, New York. 5 June 1922.
- Judge 82 (29 July 1922): 26-27.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons 1934. 333-339.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
721-725.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
129-133.
Characters/Cast
BILL CARNEY, a pitcher.......Al Ochs
CY WALTERS, a pitcher.......Will Rogers
JOE WEBB, a Busher..............Andy Toombes
Scene
The bullpen at the Polo Grounds where the Yankees are playing Cleveland.
Summary
BILL keeps tabs on what's happening in the game while CY
and JOE exchange quips and put-downs. Examples follow:
CY: How would you pitch to him [Ruth]?
JOE: High and on the outside.
CY: And that's just where it'd go.
JOE: Just the same, I bet Ruth's glad I ain't with some other
club.
CY: He don't know you ain't.
JOE: She was trying to make me.
CY: She was trying to make you out.
The Ziegfeld Follies of 1922 lasted 541 performances.
New Complete Book of the American Musical Theater.
Ring mentions lines that were added by others in "Why
Authors?" |
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Carmen |
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Publishing/Performance History
- Unproduced play. Ring Lardner Papers. Newberry Library,
Chicago.
Characters/Cast
(ACT I)
DAN JOSEPHS, a Policeman.
MORAN, a Captain of Police.
CARMEN, a Working Girl.
MISS MICHAELS, a Girl from Upstate.
POLICEMEN, Working Girls, Citizens, Etc.
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Cinderella |
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Publishing/Performance History
- Unproduced play. Ring Lardner Papers. Newberry Library,
Chicago.
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Clemo Uti--"The Water Lilies" |
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Publishing/Performance History
- What of It? New York: Charles Scribners Sons, 1925. 41-44.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons 1934. 367-370.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
749-750.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 599-600.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
157-159.
Characters/Cast (Listed)
PADRE, a Priest.
SETHSO}
GETHEO} Both Twins.
WAYSHATTEN, a Shepherds Boy.
TWO CAPITALISTS.
WAMA TAMMISCH, her daughter.
KLEMA, a Janitors third daughter.
KEVELA, their mother, afterwards their
aunt.
Characters/Cast (Actual)
TWO RATS.
A COUPLE OF SALESMEN.
CHORUS OF ASSISTANT SHEPHERDS.
TWO QUEELS.
WAMA, KEVELA, PADRE, WAYSHATTEN,
SETHSO, GETHSO.
Scenes
ACT I: The Outskirts of a Parchesi Board.
ACTS IV, V: A silo.
Summary
ACT I: After wondering what has "become of the discs," the CHORUS
sings a short song. WAMA enters "from an exclusive waffle
parlor" and exits "as if she had had waffles."
ACTS II and III: Deleted "because nothing seemed to happen."
ACT IV: TWO RATS wander in; "one seems
diseased." WAMA enters "from an offstage barn,"
"made up to represent the Homecoming of Casanova." She exits after having
a fainting spell. KVELA and PADRE have a brief conversation
after which PADRE rides and falls off from a high-wheel bicycle.
ACT V: A COUPLE OF SALESMEN try to sell Portable
Houses to the rest of the cast who don't want them. When rejected by the rest of the
cast, the SALESMEN leave in hysterics. WAYSHATTEN (the
Shepherd's Boy) and a CHORUS OF ASSISTANT SHEPHERDS
chide KEVELA for not helping look after the sheep. SETHSO
asks GETHSO who their father is; GETHSO doesn't seem to
care. WAMA says "Hush, clemo uti (the Water Lilies). TWO
QUEELS are overcome by the water lilies and quiver out of control.
"They want to play the show over again, but it looks useless.) The play ends
with "SHADES."
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Cora, or Fun at a Spa
An Expressionist Drama of Love and Death and Sex--in Three Acts |
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Publishing/Performance History
- Vanity Fair 24 (June 1925): 42.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons, 1934. 358-362.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
742-745.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 615-617.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
149-152.
Characters/Cast (Listed)
A FRIEND OF THE PRESIDENT.
PLAGUE BENNETT, an Embryo Steeplejack.
ELSA, their Ward.
MANAGER OF THE PUMP ROOM.
A MAN WHO
LOOKS A GOOD DEAL
LIKE HEYWOOD BROUN.
MRS. TYLER.
CORA.
POULTRY, GAME IN SEASON, ETC.
Characters/Cast (Actual)
All of the Listed Characters plus:
DEAD RINGER for DAVID BELASCO,
FIRST MILCH COW, SECOND MILCH
COW, ZEBU, RAT.
Scenes
ACT I: A Pharmacy at a Spa.
ACT II: A poultry yard at a Spa.
ACT III: A Mixed Grill at a Spa.
Summary
ACT I: PLAGUE BENNETT and MRS. TYLER
are in a pharmacy. MRS. TYLER is putting a bottle of
germs back in its place. FRIEND OF THE PRESIDENT
enters cursing the sea. PLAGUE tells him he will be in Washington
tomorrow.
ACT II: A David Belasco lookalike enters and exits. The MANAGER OF
THE PUMP ROOM and ELSA insult
Ziegfeld until A MAN WHO LOOKS A GOOD
DEAL LIKE HEYWOOD BROUN
enters. AMWLAGDLHB throws confetti and calls ELSA
"conservative."
ACT III: TWO MILCH COWS and a
gigantic ZEBU are in the room. The cows fear the zebu and
leave. CORA and PLAGUE discuss AMWLAGDLHB,
who enters dancing (as usual). A poisoned rat enters. PLAGUE
says it looks poisoned, and CORA says "You ought to saw me last
night!" The third act ends.
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Dinner & Bridge
also called Dinner Bridge |
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Publishing/Performance History
- The D T's Show 1927. Dutch Treat Club Dinner. Produced by
Joseph M. Kerrigan. New York. 25 March 1927.
- Dutch Treat Year Book 1927. New York, 1927. 40-49.
RPT as "Dinner Bridge."
- The New Republic 51 (20 July 1927): 227-229.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons 1934. 348-357.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
733-741.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 608-614.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
141-147.
Characters/Cast (Listed)
CROWLEY, the foreman..........................Will Irwin
AMOROSI, an Italian laborer..................Henry Clapp Smith
TAYLOR, a Negro laborer.......................Robert Benchley
CHAMALES, a Greek laborer.................Percy Hammond
HANSEN, a Scandinavian laborer...........Rea Irvin
LLANUZA, a Mexian laborer...................Percy Waxman
THE INQUISITIVE WAITER........................George
S. Kaufman
THE DUMB WAITER..................................Robert
Sherwood
Scene
An area under repair on the fifty-ninth street bridge.
Summary
The play is preceeded by a program note in which it is explained that the play is "an
adaptation from the Wallachian of Willie Stevens." The play answers the
question in the minds of Long Islanders and Manhattanites: Why is the Fifty-ninth
Street Bridge always torn up? The program note explains that according to Willie
Stevens, Alexander Woollcott was the chief engineer during the construction of the bridge
and that he once dropped a loaded cigar, meant as a practical joke to play on his
brother-in-law, under the unfinished surface planking. Since that incident, men have
been digging up the bridge to search for it.
CROWLEY and the laborers are dirty and working. Waiters bring them
cocktails and caviar. Later the waiters announce that dinner is served. The
men find their places. The men speak "in correct Crownisnshield dinner
English, except that occasionally, say every fourth or fifth speech, whoever is talking
suddenly bursts into dialect, either his own or Jewish or Chinese or what you will."
The waiters bring the diners in pails.
In conversation marked by many changes in dialect, the men talk about the bridge.
AMOROSI says his father, known as Giacomo
"Rip-Up-the-Bridge" Amorosi began tearing up the bridge the day after it was
completed. Ripping it up is much more fun now because it is busier. TAYLOR
particularly enjoys the funerals. He stops traffic in such a way that the mourners
show up at the wrong funerals.
AMOROSI announces that he is a trumpet medium. AMOROSI
then says that his first wife died:
HANSEN: How long were you married to her?
AMOROSI: Right up to the time she died.
His second wife is a Swiss murderess who is in jail. The waiter asks whom she has
murdered but then quickly exits. TAYLOR explains that he behaves that
way because he is "a born questioner but he hates answers." AMOROSI
whispers the identity of the man murdered to CROWLEY. His
wife murdered him because in her country when someone is murdered the person's name is
printed in the paper. She wanted to know his name so she killed him. TAYLOR
announces that he is a trumpet medium.
TAYLOR says he was a newspaperman and worked on the tabloid the
Porno-graphic. AMOROSI recounts the story of a woman who went to a
photagrapher and asked if he took pictures of children. He said yes and then said he
charged three dollars a dozen. She says she will have to come back later because she
only has eleven.
TAYLOR begins asking the others if they can imitate birds. CROWLEY
says someone should speak and welcome AMOROSI. TAYLOR
is chosen to speak. He recounts a story, part in Negro/Jewish dialect, about loading
bales of cotten on the levee at New Orleans. It was then he learned to imitate
birds. He imitates some. AMOROSI says where he is from people
mimick public buildings. He does his imitations of The American Express Company's
office at Rome, The Vatican, and the Hotel McAlpin. The whistle blows and the men go
back to work. The waiter asks how many Mack trucks crossed the bridge in the last
half hour and leaves before getting a response.
Elder (284) lists the actors as Will Irwin, Henry Clapp
Smith, Robert Benchley, Percy Hammond, Rea Irvin, Percy Waxman, George Kaufman, and Robert
Sherwood. |
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Elmer the Great |
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Publishing/Performance History
Lardner, Ring and George Cohan. . Lyceum Theatre,
New York. 24 September 1928.
Characters/Cast
Walter Houston as Elmer is the only highlight of the play.
There was much antogonism betweenCohan and Lardner over
the play.
The plot is not exactly the same as the story, though it
was in earlier drafts (Elder says two exist)
In the final, Elmer is eating a lot in Indiana. He
refused to join the NY club because he doesn't want to leave his girl. His girl
dumps him so he will go. Gamblers get him to try to fix games. He secretly
turns them into the police and saves the day for baseball. The floozy he wants is
discovered by the lovable Elmer and he comes to his senses for his hometown girl
Made into two films, Fast Company and Elmer the Great
See Elder 251-256. |
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I. Gaspiri (The Upholsterers)
A Drama in Three Acts Adapted from the Bukovinan of Casper Redmonda |
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Publishing/Performance History
- Chicago Literary Times 1 (15 February 1924): 3.
- The Transatlantic Review 2.1 (August 1924): 103-104.
What of It? New York: Charles Scribners Sons 1925. 45-47.
First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons 1934. 363-366.
Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
746-748.
Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 618-620.
Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
161-162.
Characters/Cast (Listed)
IAN OBRI, a Blotter Salesman.
JOHAN WASPER, his wife.
GRETA, their daughter.
HERBERT SWOPE.
FFENA, their daughter, later their wife.
EGSO, a Pencil Guster.
TONO, a Typical Wastebasket.
Characters/Cast (Actual)
(ACT I)
TUPPER.
BRINDLE.
NEWBURN.
FIRST STRANGER.
SECOND STRANGER.
THREE OUTSIDERS NAMED KLEIN.
A NEW CHARACTER.
TWO MOORS.
A GREEK.
(ACT III)
FIRST GLUE LIFTER.
SECOND GLUE LIFTER.
EIGHT REALTORS.
Scenes
ACT I: A public street in a bathroom.
ACT III: The Lincoln Highway.
Summary
ACT I: TUPPER has just taken a bath, BRINDLE is
taking a bath, and NEWBURN comes out of the faucet and exits through
the exhaust. On the bath mat, two strangers exchange lines about being born out of
wedlock (from "Tridget") and about FIRST STRANGER's
wife: "There's a woman living with me, but I can't place her." THREE
OUTSIDERS NAMED KLEIN cross the stage three
times, thinking they are in a public library. A woman coughs off stage. A NEW
CHARACTER asks TWO MOORS and A GREEK
about the cough, asking "Who is that cough?" THE MOORS
identify her as their dead mother. Then "[t]he curtain is lowered for seven
days to denote the lapse of a week."
ACT III: After a "translator's note," which explains hay gathering in
Phlace ("On an average a hay hoarder accumulates a ton of hay every four years.
This is called Mah Jong."), the FIRST GLUE LIFTER
asks the second how he is doing. The SECOND GLUE LIFTER
misunderstands what the first has asked and sings "My Man." The realtors
then "cross the stage in a friendly way. They are out of place."
According to Laurence Stallings, it was acted [in New
York] by Robert C. Benchley and Donald Ogden Stewart.
Donald Ogden Stewart says his "impulse toward 'crazy
humor' was encouraged by the success of a skit which Bob Benchley, Marc Connelly and I did
for the annual dinner of the Authors' League, which had been written for us by Ring
Lardner, and was called 'I, Gaspiri (The Upholsters)." (126) He says Benchley
played a mandolin while the others "conversed deadpan in sentences which had no
relation to each other or to anything else." He remembers the "out of
wedlock" lines. He says "I know a girl who was born out of wedlock,"
to which Bob replies "That's a might pretty country around there."'
Stewart, Donald Ogden. By a Stroke of Luck! An
Autobiography. New York: Paddington Press, 1975. |
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June Moon
June Moon Page
Buy the DVD |
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Publishing/Performance History
Lardner, Ring and George S. Kaufman. . Music and
lyrics by Ring Lardner. Broadhurst Theatre, New York. 9 October 1929.
Characters/Cast
based on the story "Some Like Them Cold" |
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Not Guilty |
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Intended for the Ziegfeld Follies of 1922,
rejected. See "Why Authors?" and Elder (259).
- Cosmopolitan 74 (February 1923). 80-81.
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The Operating Room |
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Publishing/Performance History
- Unproduced skit. Ring Lardner Papers. Newberry Library, Chicago.
Characters/Cast
THE NURSE (Comedy Girl).
THE INTERNE (Straight Man).q
THE PATIENT.
Scene
A hospital operating room.
Summary
An INTERNE and a NURSE are preparing a patient for
surgery. They try to anaesthesize THE PATIENT with
ether. THE NURSE strokes THE PATIENT's
face with her poison-ivy-infected hands: "I guess I'm lucky it's on my hands
and not my face." THE INTERNE warns her to keep
her hands away from her face. THE INTERNE puts the
mask over THE PATIENT's face. THE NURSE
and INTERNE talk about common friends, former patients who have died, and THE
NURSE's boyfriend. THE PATIENT is still
awake. THE NURSE advises THE INTERNE
to "empty the bottle on him," but THE INTERNE says
a little more "would kill him." The relief nurse calls and says she won't
be able to come to work. THE NURSE will have to
stay with the current patient. THE PATIENT grabs the
ether bottle and drinks it down.
Includes elements of "Zone of Quiet" (25) |
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Orpheus in the Underworld |
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Publishing/Performance History
- Music by Jacques Offenbach. Unproduced play (adaption),
1925. Ring Lardner Papers. Newberry Library, Chicago.
Characters/Cast
ORPHEUS (comedy part, jazz singer, doesn't have to have a good voice; it would
help if he could play a ukelele, and wonderful if he could also play a violin)
HENRY BANE (comedy part, very dumb, a pest. Doesn't have to have a good voice)
JUPITER (comedy lead, baritone, but doesn't have to sing well)
PLUTO (comedy , tenor, ought to have a fairly good voice)
THE PRINCE OF CALISALIA (Juvenile, must have good tenor voice)
EURYDICE (beautiful young girl who can do everything; must have high, preferably
coloratura, soprano voice)
DIANA (another high soprano, preferably coloratura--should have a sense of comedy)
JUNO (not much of a part; should be a mezzo; doesn't matter what she looks it; preferably
oldish and unattractive)
VENUS (beautiful, with mezzo soprano voice)
HEBE (cute, flapper type; need not sing)
MORPHEUS (must speak lines, but doesn't have much singing, but ought to have bass or
baritone voice to help in choruses)
MARS (tough guy with baritone voice)
NEPTUNE (sap comedy bit; no singing except in choruses)
MERCURY (Bit; needn't sing much, but could help in choruses)
MINERVA, Cybele and other goddesses and gods have no lines, but their voices are needed in
choruses.
JAILER (Comedy bit. Doesn't sing)
A SERVANT (Bit)
Guides, shepherds, nymphs and imps (Just chorus people)
Members of Orpheus' ukelele class (same)
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The Other World |
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Publishing/Performance History
- Unproduced skit. Ring Lardner Papers. Newberry Library, Chicago.
Characters/Cast
MADAME GOULASH, the Medium..........Comedy
Woman.
PROF. LYONS, her assistant....................Comedy
Man.
GOLDSTEIN, a client................................Comedy Man.
Other Clients:
Avery, Leach, Mrs. Kramer, Mrs. Foster, and two or three others.
Scene
The play takes place in an apartment in New York. There is a circle of chairs with a
chair in the center for Madame Goulash.
Summary
LYONS collects money "for a worthy cause" though money, nicknamed
mazuma by LYONS is hated by GOULASH. The money will be
spent having Mrs. Conan Doyle's hair bobbed. GOULASH is a trumpet
medium. Many ectoplasm jokes are made. LYONS leaves and GOULASH
takes over. They sing "Mammy." Various "spirit voices"
are summoned, all of which are the voice of LYONS. Many famous
spirits are summoned. "Bill" Shakespeare says Avery Hopwood wrote his
plays. The Czar of Russia tells a joke. Next pictures of the dead are shown on
the wall. One is of Conan Doyle:
GOLDSTEIN: Why, it's Conan Doyle himself!
MRS. KRAMER: But he ain't dead.
MADAME: He ain't dead, but he's gone.
Lastly, GOULASH says she will materialize a spirit. LYONS
comes out in a rediculous outfit and all of the cast recognize him as someone they know.
NOTE: Written for the Ziegfeld Follies of 1922 and
rejected. See "Why Authors?" |
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Quadroon |
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Publishing/Performance History
- The New Yorker 7 (18 DEC 1931): 17-18.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons, 1934. 363-366.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
746-748.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 618-620.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
135-140.
Characters/Cast
(PART ONE)
CHRISTINE, his sister, played by Alla Nazimova.
LAVINIA, her daughter, played by Alice Brady.
CASEY JONES, a midwife, played by William A. Brady.
(PART TWO)
CHRISTINE, his sister, played by Alice Brady.
LAVINIA, her daughter, played by Alla Nazimova.
FRANKIE AND JOHNNIE, played by A.H. Woods.
(PART THREE)
LYNN FANTANNE, a Mrs. Lunt, played by Grace George.
CASEY JONES, a midwife, played by Bert Lahr.
FRANK CASE, proprietor of the Algonquin, played by Alice
Brady.
(PART FOUR)
CHRISTINE, her sister, played by Alla Nazimova.
LAVINIA, their little one, played by Alice Brady.
FRED ASTAIRE, a hoofer, played by Morris Gest.
Scenes
(PART ONE): A Park Avenue Push-Wagon, Armistice Day, 1960
(PART TWO): Department of Plant and Structures. An evening in 1850.
(PART THREE): Jimmy Walker's Wardrobe Trunk.
(PART FOUR): An ambuscade in the Astor lobby.
Summary
The play or plays are preceeded by a long "Author's Note." In it, Lardner
explaines that all of the characters are "half-castes," and the only time the
play "was performed with a whole cast, it was stopped by a swarm of little black
flies, which don't bite, but are annoying." He then makes a connection between
Thomas Chalmers and Alice Brady and the tractor manufactorer Alice-Chalmers before
commenting on the stock market. Next, Lardner discusses a recent hospital stay and
all of the entertainers who visited him there:
. . . Miss Claudette Colbert came up to call one day and almost instantly, piling in
like interferers for Marchmont Schwartz, appeared fifteen internes, to take my
temperature. Previously they had treated my room as vacant.
Lardner then discusses the play, or plays. The original author is Manny O'Neill,
great-grandfather of Eugene "(('Greasy'))" O'Neill, "who acquired a fine
sense of after-dinner speaking by playing the outfield for Cincinnati and coaching
football at W. and J. Finally, Ring addresses the lines given to men and women in
the show, more given to women to keep the peace.
HIC, the first part consists of a menu for the luncheon intermission.
HAEC, the second part has a brief exchange between the characters about LAVINIA's
role in "Hedda Gabler." This is followed by several choices of dinner
menus.
HOC, the third part begins with the MAYOR and the PRINCE OF
WALES dancing discussing the splendors of New York in a way that suggests
they are reading from a tourist brochure. FRANK CASE
interrupts, saying "Pardon me, Officer, but can either of you boys play a
cellophane?" There is no meal, but the following instructions: "Passengers
will Please not Linger in Washrooms until Other Passengers Have Completed Their Toilets."
HUJUS, the fourth part includes a brief conversation between FRED and LAVINIA,
both of whom are dancing. They recite a commercial for Pebeco Tooth Paste and then
"She kills her with an oyster fork." Final instructions are given
to the audience: "Leave your ticket check with an usher and your car will
come right to your seat."
A parody of the length of O'Neill's Mourning Becomes Electra
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Rip Van Winkle, Jr. |
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Publishing/Performance History
- The Ziegfeld Follies of 1922. New Amsterdam Theatre,
New York. 5 June 1922.
Characters/Cast
HNERY WTZ (RIP), a typographical error
BUTLER Al Shean
Brandon Tynan, Lulu McConnell, Al Shean, Andrew Tombes
Summary
Hnery Wtz has insomnia, takes a sleeping pill, sleeps for twenty years, and awakes to
find everything Jewish, even the Knights of Columbus. |
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Taxidea Americana
A Play in Six Acts
Translated from the Mastoid |
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Publishing/Performance History
- The Wisconsin Literary Magazine 24 (DEC 1924): I.
- What of It? New York. Charles Scribners Sons, 1925.
- First and Last. Ed. Gilbert Seldes. New York: Charles
Scribners Sons, 1934. 374-377.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
753-756.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 621-623.
- Shut Up, He Explained: A Ring Lardner Selection. Ed. Babette
Rosmond & Henry Morgan. New York: Charles Scribner's Sons, 1962.
163-165.
Characters/Cast (Listed)
FRED RULLMAN, an acorn huckster.
OLD CHLOE, their colored mammy.
THOMAS GREGORY, a poltroon.
MRS. GREGORY, his mother, afterward his wife.
PHOEBE, engaged to CHLOE.
PROF. SCHWARTZ, instructor in Swiss at Wisconsin.
BUDDY, their daughter.
STUDENTS, policemen, members of the faculty, sailors, etc.
Characters/Cast (Actual)
(ACT I)
STUDENTS.
DURAND.
VON TILZER.
SENATOR LAFOLLETTE.
RUBY BARRON.
PAT and MIKE, students in the pharmacy college.
(ACT V)
CHEERLEADERS.
THE WISCONSIN BAND.
WILMERDING ROOTERS.
COACH RYAN of WISCONSIN.
REFEREE BIRCH.
(ACT III)
SLAM ANDERSON, a former Wisconsin end.
DR. BONIFACE, the landlord of a switch engine on the Soo
lines.
FARMER HOOKLE.
Scenes
Madison, Wisconsin
ACT I: In front of the library.
ACT V: Camp Randall Stadium before a game between Wisconsin and the Wilmerding
School for the Blind.
ACT III: A livery barn in Stoughton.
Summary
ACT I: Two agricurtural students walk in front of the library holding a seed.
"They are silent, as they cannot place one another." DURAND
and VON TILZER walk down the library steps and stand with
their backs to the audience. DURAND asks if there is any news from
home. They leave the stage. "Senator LaFollette enters from right and
practices sliding to base for a few moments." He is met by RUBY
BARRON. RUBY asks the SENATOR about
sliding to base, after which the SENATOR leaves the stage and RUBY
does some card tricks. Pharmacy students, PAT and MIKE
crawl on stage and fill prescriptions. They talk nonsense about the ocean and laugh.
ACTS II, III, IV: "left out through an oversight."
ACT V: Both teams (Wisconsin and the Wilmerding School for the Blind) sing their
songs. COACH RYAN "announces that the game is
postponed to permit Referee Birch to take his turn in the barber's chair. The crowd
remains seated till the following Tuesday, when there is a general tendency to go home."
ACT III: The coaches send in ACT III to replace ACT VI. SLAM
ANDERSON is at the livery barn making horses laugh by making faces at
them. He goes home. DR. BONIFACE enters and is
met by FARMER HOOKLE, who enters on a pogo stick. BONIFACE
asks if HOOKLE has much luck with his hogs. HOOKLE
replies, "Oh, we never play for money."
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Thompsons Vacation |
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Publishing/Performance History
- Cosmopolitan 73 (September 1922): 82-83.
- First and Last. Ed. Gilbert Seldes. New York. Charles Scribners Sons,
1934. 329-332.
- Portable Lardner. Ed. Gilbert Seldes. New York: Viking, 1946.
718-720.
- Ring Lardner Reader. Ed. Maxwell Geismar. New York: Charles
Scribner's Sons, 1963. 597-598.
Characters/Cast
THOMPSON, a plain citizen.
HAINES, another.
DILLON, another.
Scenes
ACT I: The smoking car on a city-bound suburban train.
ACT II: Four minutes later. A downtown subway express.
Summary
ACT I: HAINES and THOMPSON talk about THOMPSON's
vacation in Atlantic City. HAINES suggests that THOMPSON's
choices of hotel, activities, entertainments, and time of year to vacation are all
wrong. THOMPSON leaves.
ACT II. DILLON asks THOMPSON about his
vacation. THOMPSON says he had a rotten time and went
"[n]owhere."
NOTE: the Cosmo appearance is part of a miscellany
called "You Know Me, Al" |
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The Tridget of Greva
Translated from the Squinch |
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Publishing/Performance History
- The 49ers. Punch and Judy Theatre, New York. 7 November
1922.
- Blackouts: Fourteen Revue Sketches. Ed. Marjorie Rice Levis. New York: Samuel
French, 1932. 1-9.
- Shut Up, He Explained. Ed. Babette Rosmond and Henry Morgan. New York: Charles
Scribners Sons, 1962. 125-127.
- 24 Favorite One-Act Plays. Ed. Bennett Cerf & Van H. Cartmell.
New York: Doubleday Dolphin, 1963.
Characters/Cast (Listed)
LOUIS BARHOOTER, the Tridget
DESIRE CORBY, a Corn Vitter
BASIL LAFFLER, a Wham Salesman
Scene
All three characters are seated in small flat-bottomed boats fishing.
Summary
The conversation is chiefly between CORBY and BARHOOTER.
LAFFLER says things from time to time that are completely ignored by the
others. CORBY asks about BARHOOTER's wife. He
says she isn't well, and CORBY says "That's fine!" The
conversation switches to CORBY's mother. CORBY doesn't
know what his mother's name was before she was married because he didn't know her
then. He doesn't know her first name because he always calls her mother. BARHOOTER
wonders "what's the matter" with CORBY's sister. The
conversation about relatives becomes confused. BARHOOTER notices that
the wind is coming from offstage.
BARHOOTER recounts a story about his sister's baby. His sister and
husband were in a car two days before the baby was born. They went down a hill in
reverse by accident, and the "baby is very backward."
BARHOOTER asks CORBY and LAFFLER if they
can imitate birds. Neither can. When LAFFLER asks why, BARHOOTER
replies, "I'm always afraid I'll be near somebody that can imitate birds.
The conversation switches to shaving and what BARHOOTER does with his
old whiskers. CORBY saves and plays with his. CORBY
asks BARHOOTER where he was born:
BARHOOTER: Me? I was born out of wedlock.
CORBY: That's a mighty pretty country around there.
CORBY has no teeth and cannot eat fish, only broth. BARHOOTER
suggests they go to a brothel. "BLACK OUT."
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Zanzibar |
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Publishing/Performance History
- lyrics and music. Book by Harry Schmidt. American
Minstrels, Niles, Michigan. 14 April 1903.
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